Theatre
Rehearsal processes, scenes, playback, microphones, artistic coordination and repeatability: theatre requires precision, patience and an understanding of the institution.
Sound Engineering / Audio Design / Stage Production
Christoph Waßenberg
Sound Engineering for Theatre Productions
Project-based sound support from first rehearsal to final performance.
I have worked for many years between theatre, live music and independent art projects — technically precise, artistically responsive and familiar with dynamic production processes.
Project-based sound support
Not every production can be covered flexibly with in-house resources alone.
Especially in musically or artistically demanding productions, festivals, installations or phases of high production density, project-based sound support can be a meaningful addition to existing structures.
I support theatre productions, independent formats and concerts on a project basis — if required from the first rehearsal to the final performance.
Two ears
for two worlds
Concert
Live sound requires reaction, musicality and a sense of the moment. From jazz to rock, from small clubs to larger stages: what matters is sound that carries.
Services
What I can be booked for
Theatre productions
Sound support during rehearsals and performances, if required from the first rehearsal to the final performance.
Production peaks
Project-based support when production density is high or additional coordination is needed.
Musically demanding formats
Theatre with a strong musical component, concerts, jazz, rock, experimental music and sound art.
Festivals & special formats
Support for festivals, installations, performances and independent productions.
Live mixing
Live sound for theatre, concert and performance — focused, musical and responsive.
Integration & handover
Setup, support and structured handover of complex systems to existing in-house structures.
Approach
Between art and technology
In theatre, sound is not merely technical execution. It is part of the artistic process, the rehearsal reality and the communication between stage, direction, music and technical departments.
My strength is to combine technical precision with artistic understanding, musical experience and calm communication.
- theatre-experienced
- musical
- communicative
- structured
- flexible
Credits
Experience in theatre, live music and independent art projects
Schauspielhaus Bochum
including “Hamlet”
Schauspiel Dortmund
Head of Sound Department
Vereinigte Städtische Bühnen Krefeld/Mönchengladbach
including “Spamalot”
Independent projects
Concerts, festivals, performance and sound art
Contact
Let’s talk about how I can support your production with project-based sound engineering.
Christoph Waßenberg
Sound Engineering / Audio Design / Stage Production
Mönchengladbach / NRW / Germany-wide